Building Tension: Lessons from Master Storytellers
A deep dive into the techniques that keep readers turning pages.
Sarah Chen
Sarah Chen teaches creative writing at Stanford University and has authored three novels.

Every writer knows the frustration: you've created compelling characters, built an interesting world, crafted beautiful sentences—and yet something's missing. The pages don't turn themselves. The story lacks momentum.
The missing ingredient is usually tension, that elusive quality that makes readers unable to put a book down. But tension isn't just about action or conflict; it's about creating and managing uncertainty in the reader's mind.
"Tension is the gap between what a character wants and what they have," explains master storyteller Robert McKee. "Widen that gap, and you increase tension. It's that simple—and that difficult."
One technique used by masters is delayed gratification. When a character reaches for a doorknob, don't immediately tell us what's behind the door. Let them hesitate. Let them hear something. Build the moment.
Another key technique is what Alfred Hitchcock called the "bomb under the table." If two characters are having lunch and a bomb goes off, you have ten seconds of surprise. But if the audience knows the bomb is there while the characters chat obliviously, you have ten minutes of suspense.
Subtext is another powerful tool. When characters say one thing but clearly mean another, readers lean in, trying to decode the true meaning. This creates engagement and keeps pages turning.
Finally, master storytellers understand the importance of rhythm. Tension can't remain at peak levels continuously—readers become exhausted. The key is creating waves of tension and release, each peak slightly higher than the last.