Every literary generation has its casualties—brilliant writers who, for reasons of timing, temperament, or simple bad luck, failed to find the audience they deserved. Thanks to several recent republication efforts, we're finally meeting some of modernism's missing voices.

Chief among these rediscoveries is Nella Larsen, whose slim novels 'Quicksand' and 'Passing' have been restored to their rightful place in the American canon. Writing in the 1920s, Larsen explored race, class, and female identity with a psychological acuity that rivals her more famous contemporaries.

Similarly revelatory is the work of Jean Rhys, whose pre-war novels languished in obscurity for decades before her late masterpiece 'Wide Sargasso Sea' prompted a reassessment. The recent reissue of 'Good Morning, Midnight' reveals a writer of devastating precision.

These recoveries remind us that literary reputation is always contingent, always incomplete. The canon is not a fixed monument but an ongoing conversation—one that each generation is obligated to continue.